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Dołączył: 15 Gru 2006
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 Wysłany: Wto 23:01, 16 Paź 2007 Temat postu: Japoński Teatr Tańca 29.10 |
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Zagraja spektakl "Trzy siostry" Czechowa w Warszawie 29.X. godz. 20.00; Centrum Artystyczne Montownia ul. Konopnickiej
29 października - "Trzy siostry"
"Three Sisters" by Pappa TARAHUMARA
On Anton Chehov's "Three Sisters" motif, but showed as completely new tragic comedy, describing women nowadays realistically. It's an Energetic, Erotic, Entertaining performance.
Director's note:
If the person who likes the play came to see our Three Sisters, he would say "Is this really Chekhov's? That's ridiculous!" Exactly, I can say about this work "This is it!" and also "This is completely transformed from Chekhov's "The setting is my home town which is one local city in Showa period. (1955~1964) The admiration of communism still remained and the Social Democratic Party of Japan was rising up its popularity, but the Communist Party was not so weak in the era. This piece has these dispositions of area as a background. What is fascination of "Three Sister"? I don't write it here, but you can see the answer in our work. Just I want to say "Three Sisters" is ridiculous comedy, which pretended to be tragedy. However, it is also our daily life. Comedy and tragedy is inside and outside, and it makes you possible to see the fact from the various points of view. The voice, sound, movement, breath, woman, the woman who men see, the man who is watched by women, miserable, love of human beings and the unity of a sacred thing and a vulgar thing. I would be very happy if you would enjoy "Three Sisters", which we can represent just in the field of Performing Arts.
Review:
Whether they were peeking up each other's skirts, erupting into giggles, singing complicated scat or stripping down to black-laced bodysuits, these three women seemed at first to have wandered a long way from Chekhov's play. But by the end of "Three Sisters,"...Japan's Pappa Tarahumara company had captured, through the intense, sometimes comic journey of three inspired performers, the essence of the original: a contradictory blend of unsatisfied yearning and mature acceptance. ... The many small transitions were mirrored in the structure of three contrasting scenes. In the first, the dancers started out with childlike movements and sounds, exploring their sexuality and their identities unselfconsciously to comic effect. In an abrupt shift, They stripped down to their body-builder black underwear, flexing their muscles, and then launched into a high-energy  . In the third and final scene, they blended movements from the first two into more whole and mature characterizations.
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